9/4/09
8/31/09
We're Moving!
Time it was, time said, to move on. So here we are - my blog and I - newly aboard at Zero Summer. See you there, then?
Posted by 8&20 at 7:17 AM 4 comments
Labels: change
8/11/09
On Sievings
Posted by 8&20 at 3:41 AM 4 comments
8/10/09
Another way of telling
Posted by 8&20 at 11:24 AM 2 comments
Labels: photo
On 'old children'
Sometimes one or other of our simple, devoted old ryots comes to see me - and their worshipful homage is so unaffected! How much greater than I are they in the beautiful simplicity and sincerity of their reverence. What if I am unworthy of their veneration - their feeling loses nothing of its value.I regard these grown-up children with the same kind of affection as I have for little children - but there is also a difference. They are more infantile still. Little children will grow up later on, but these big children never.A meek and radiantly simple soul shines through their worn and wrinkled old bodies. Little children are merely simple, they have not the unquestioning, unwavering devotion of these. If there be any undercurrent along which the soul of men may have communication with one another, then my sincere blessing will surely reach and serve them.
Posted by 8&20 at 10:36 AM 0 comments
8/8/09
A Day to Remember
Posted by 8&20 at 7:40 AM 2 comments
Labels: yay
Empty Offices
Posted by 8&20 at 1:05 AM 0 comments
Labels: hmm
8/7/09
Bangalore
And then, the place. Bangalore offered so many and varied experiences. The guest house, in its calmness and serenity, welcomed me each time I entered its vast, green landscape. Even as I sit and type these words, I hear the wind brush against the leaves outside, knowing I will always remember it with great fondness. Outside the guest house, I have gradually developed a deeper acquaintance with Yelahanka - on foot, in a car, bus, auto, motorbike, scooter... And this reminds me to mention the traffic in which the entire city is ever afloat. Indeed, Bangalore would not be Bangalore without it.
At first glance, I loved how green Bangalore was, though I must admit that I've gotten rather used to it and now take its shades for granted. The weather, of course, is to die for. Where else in India does one need to keep a shawl at hand, at all times? I love the breeze, and rejoice when it turns to wind. Indeed, there is a natural air-conditioning that Bangalore is blessed with. And when it rains, it feels as though the heavens are pouring.
Mmm, that about covers it all, doesn't it? And yet, I've clearly done no justice whatsoever. I promise to try harder next time.
Posted by 8&20 at 9:23 PM 0 comments
Where does it go?
blah. blah blah :).Do you see what I see? At first I winced at the inconsistency in the two lines. A second later, as I read the words and relived the emotions, I realized that there was a reason, be it somewhat obscure:
blah blah. :)
Ha. Too busy with the darling little kid, I assume :).The first line was conceived of with a smile, while the second came out as a reflection and was followed by a smile. Get it? How interesting is that? :)
I suppose you picked the right forum to get through to her. :)
:).
Posted by 8&20 at 9:11 PM 1 comments
Labels: eureka
8/5/09
Enough Already
Posted by 8&20 at 11:34 AM 3 comments
Labels: lessons
8/4/09
A thought
Today's was an Eckhart Tolle morning, and there are two thoughts he left me with that I'd like to share:
1. Make the present moment your friend, not your enemy.
2. When we act according to the highest light we can see within us, more light finds its way in.
Posted by 8&20 at 10:06 PM 3 comments
Apologies
I must admit I do believe that this book is a little in that realm of offering a little knowledge that cannot stand alone on its own two feet. What one takes from it and runs with is anybody's guess really, and that thought makes me rather uneasy. When a kind friend helped me understand the implications from an alternate perspective, I felt rather sheepish about exhibiting this content on my blog.
If you wish to read The Secret, by all means read it. But pray, do keep in mind that most of the great masters it quotes have said a lot more than just what the book presents. The lessons of detachment, mindfulness, acceptance and surrender, equanimity, selflessness... are also to be kept in mind, as one embraces the attitude of gratitude, positive thinking, visualizing goals, and what have you.
I hope we understand each other :).
Posted by 8&20 at 4:41 AM 0 comments
8/3/09
To the world at large
Let it be known that life, in this moment, is very very good. It may not have felt so yesterday, as I packed to leave home again. And it may not seem so tomorrow, as I grapple with complex research questions at work. But right now, in this moment, it is very very good. I cannot think of anything more to ask for, even as I find myself miles away from a soul I know... as I dissolve in silence.
And gratitude.
Posted by 8&20 at 11:43 AM 2 comments
Labels: grateful
So Far So Good
- I entered a bookstore, not intending to buy a thing really, and my eyes instantly fell on a book of digital photography soon as I entered. This spoke to some of the things I'd been trying to figure out how to do with my photos. Honestly, it was a clear step up. I'm a little better now, and have a tutorial lined up for tomorrow by someone who generously offered to teach me some photo-polishing techniques in Photoshop.
- The very same coworker is an expert at Illustrator and illustrated some remarkable tricks today that left me floored. I absolutely have to learn to use this better, and he's going to pass on a copy of Illustrator for Dummies to me tomorrow. Step up.
- As for singing - I have found a potential guru, sort of. Regardless, steps have been taken to generate a plan for the near future. In the meantime, meditation upon music continues.
- Writing down the bones, no questions there.
- The process of photography doesn't ever stop. The digital photography book taught me some great techniques for better management of light, different styles of compositions, etc. I also learned how my dSLR does its metering, after all these years. The India: Then and Now book brought new perspective on perspectives, especially for building/landscape captures. Clear and solid step up.
- Not learning Bangla yet, but certainly trying to follow the Bangla words used in the biography I am reading currently. Let's say that counts.
- Can't say I've embarked upon solid research questions to explore. However, a long mail update was just dispatched to the advisor, and we'll be talking later this week on phone. I'd say there's progress towards progress.
- Continuing to be positive and enthusiastic. Laughing in loud, uncontrolled guffaws. And refraining from homesickness (now that is a big deal!).
- Loving as much as I can, and trying to love more. With non-attachment and acceptance. The progress is less discrete, and there's still a long way to go. We'll be hopeful for now, though.
- Yep, growing. Trying to expand horizons as we speak. Getting to know new people, more people. Trying to learn new things. I suppose this one is hard to avoid even, though!
Posted by 8&20 at 10:39 AM 1 comments
Labels: goals
acceptance
intriguing it is indeed, to find that lessons could do with endless repetitions. in the school of life i'm really barely passing :(.
and yet, this too i must learn to accept :).
Posted by 8&20 at 7:36 AM 0 comments
Labels: acceptance, sigh
July
The power to make decisions stems from the availability of 'choice'. Those who are blessed with the wealth of resources have also the power, more often than not, to choose what to do with this wealth. The question then remains - what do we do with this power? How best may we utilize it? How do we decide - to do one thing and not another?
I have often entertained the desire of having a 'little person' sitting inside of me, telling me what to do, and all the time. This little person would just know the right thing to do at all times, and guide me to the right path without fail. It took me some time to realize that this fantastic dream of mine was actually real - this 'little person' did exist. It was the voice of my gut, my conscience.
It is this voice that tends to the mind when it has successfully trapped itself in its daily quandaries, as a mother tends to a child who's stuck with his hand inside a cookie jar and cannot get it out. It is then up to the child to let go, let the mother take over, or to resist any help and continue stubbornly to struggle. [This may not be the best analogy, but hopefully it brings the point across.]
To get up or not to get up, the mind asks. "Get up," the voice says.
To eat or not to eat a third slice of this super-indulgent cake? "Not to eat," says the gut.
To let my ego come in way of helping out a friend in need? "Not ever."
And so it goes. The mind plays truant all too often. No doubt it is so often referred to as the 'monkey mind'. But thank heavens for the gut, that brings it back in place. The struggle between the two doesn't 'start' or 'end'. It was and will be. Unless we enter the realm of the Buddha's existence, but the chances are just so slim we might as well leave them out of consideration.
Daunted by the enormity of the task that lay before me of this struggle (when I first awoke to this inner reality), I didn't really know how I could become a fitting defender of this voice, this gut. It always seemed so much easier to let the mind have its way. Despondently I'd wonder - will it always be this way?
It has been a slow learning process (though 'slow' and 'fast' are also constructs of the mind), but I have learned that this conscience evolves as well. It grows from seed to plant to flowers and fruits that are more fragrant and far sweeter than any other. All it asks is to be fed some attention. The more we tend to it then, the more it tends to us.
And as I close this post, I am fondly reminded of this story I had shared with you earlier - about the good wolf and the bad wolf. I suppose I have only reiterated its import.
Posted by 8&20 at 7:15 AM 0 comments
Labels: votm
7/31/09
On The Secret
There is a 'sensationalized' component to the book, which could go both ways. On the one hand, I feel that it packages the message of positivity, gratitude, careful application of energy, importance of visualization, etc. in a really effective manner. On the other, though, hullo! Do I really want myself to achieve all the things that I could if I put my mind to it? That sounds conflicting, but if what the book says about being able to achieve all that our heart desires is true, such that people dedicate all of their energy thus to acquisition of material wealth, would not the world go berserk?
One could argue that if one practices as per The Secret by being grateful and positive all the time, that one couldn't possibly be a potential hoarder of material wealth, but that's in the gray. The book clearly states that the universe has enough and more of everything for everyone. So we can all be in abundance. Yay. Is it true? What about people, for instance? If a man wants to be dating many women non-committally, he finds three to alternate among. When he decides he wants to settle down, he gets rid of (at least) two of them. Just like that. It sounds a little out of control to me.
Yet. I do really believe that what a man chooses to achieve, he can and he will. There must also be the tiny component of discernment thrown in, that is all. He must be able to think for himself whether his demands, his 'visualizations', are in the best interest of him and his surroundings.
And if you have that ability to discern, but would like an effective action plan for helping you inch towards your goals, then the book is for you. It is true that I say this because I really, truly feel that the book is for me. In my next post, I'd like to outline precisely why this is so.
Posted by 8&20 at 10:01 AM 1 comments
Labels: reading, reflection
7/30/09
On Gratitude
Gratitude has been such a powerful exercise for me. Every morning I get up and say "Thank you." Every morning, when my feet hit the floor, "Thank you." And then I start running through what I'm grateful for, as I'm brushing my teeth and doing the things I do in the morning. And I'm not just thinking about them and doing some rote routine. I'm putting it out there and I'm feeling the feelings of gratitude.
- James Ray
I think everybody goes through times when they say, "Things aren't working right," or, "Things are going bad." Once, when there were some things going on in my family, I found a rock, and I just sat holding it. I took this rock, I stuck it in my pocket, and I said "Every time I touch this rock I'm going to think of something that I'm grateful for." So every morning when I get up, I pick it up off the dresser, I put it in my pocket, and I go through the things I'm grateful for. At night, what do I do? I empty my pocket, and there it is again.
I've had some amazing experiences with this idea. A guy from South Africa saw me drop it. He asked, "What is that?" I explained it to him, and he started calling it a gratitude rock. Two weeks later I got an email from him, in South Africa. And he said, "My son is dying from a rare disease. It's a type of hepatitis. Would you send me three gratitude rocks?" They were just ordinary rocks I found off the street, so I said "Sure." I had to make sure that the rocks were very special, so i went out to the stream, picked out the right rocks, and sent them off to him.
Four or five months later I get an email from him. He said, "My son's better, he's doing terrific." And he said, "But you need to know something. We've sold over a thousand rocks at ten dollars apiece as gratitude rocks, and we've raised all this money for charity. Thank you very much."
So it's very important to have an "attitude of gratitude."
- Lee Brower
Posted by 8&20 at 8:51 PM 0 comments
Goals!
- Become an expert at Photoshop such that I can effect all the changes I visualize within, especially with my photos. No more whining 'I wish I knew how to Photoshop'.
- Become an expert at Illustrator such that I can create posters, images, etc. No more looking at Kabir artwork and thinking 'I wish...'.
- Be regular at singing, keep the process of learning going (ideally, find a guru). No more 'I need to', 'I will', 'if only's.
- Write down the bones, i.e. write write write.
- Photograph a lot, and often. State clear goals for evidence of improvement.
- Learn Bangla, so as to read Tagore in his original works.
- Embark upon solid research questions to explore.
- Be the most positive and enthusiastic person I know.
- Love indiscriminately, and all the time.
- Grow!
Posted by 8&20 at 5:17 AM 2 comments
Inspired
There are many things in it that I'm struck by, and will take some time to write about these. For now, however, I'd like to leave you with this mantra - don't let a negative thought enter your head. As soon as it comes, find a positive thought to counter it. In fact, maintain a bank of positive thoughts. Think positive. Think love.
More soon :).
Posted by 8&20 at 2:00 AM 4 comments
Labels: inspiration, reading
7/28/09
What makes a good picture?
Posted by 8&20 at 9:16 AM 4 comments
Labels: photo
One Art
The art of losing isn't hard to master;
so many things seem filled with the intent
to be lost that their loss is no disaster.
Lose something every day. Accept the fluster
of lost door keys, the hour badly spent.
The art of losing isn't hard to master.
Then practice losing farther, losing faster:
places, and names, and where it was you meant
to travel. None of these will bring disaster.
I lost my mother's watch. And look! my last, or
next-to-last, of three loved houses went.
The art of losing isn't hard to master.
I lost two cities, lovely ones. And, vaster,
some realms I owned, two rivers, a continent.
I miss them, but it wasn't a disaster.
---Even losing you (the joking voice, a gesture
I love) I shan't have lied. It's evident
the art of losing's not too hard to master
though it may look like (Write it!) like disaster.
Posted by 8&20 at 4:58 AM 2 comments
Labels: pome
On Stopping the Train
X : Her internet connection should be taken off!
Y : Why?
X: She seems to have time only for checking her mails during office hours resulting in total negligence at work.
Y: Well, if she looks out through her window watching a train passing by, will you go and stop the train?
Posted by 8&20 at 4:47 AM 1 comments
Labels: insights
7/25/09
Photophilia
I am helped by the existence of a dear friend from Bangalore (well, at least one, at any rate). While I walk the streets of the city, I do my best to step out and into her shoes - wondering what would make her nostalgic, what would move her as a 'gift' from home, what is the closest I could bring her to home and how? Thank you camera, thank you smugmug, for allowing me to reach her thus :). (And thank you P, for helping me exercise this ability!)
On the way back to Yelahanka, I reflected on a thought process I'd had on M.G. Road. I heard a girl say on the phone, "I'll hang up now, it's really crowded here and my cellphone could get stolen." And here I had an expensive camera generously on display. For a second I wondered if I ought to be more careful. But I had considered that option, packed in my camera, then taken it out again, dismissing the concern. In just a few minutes of walking empty-handed, my fingers had itched, and my eyes had longed for the viewfinder - to capture the richness of the street scenes.
There'd been a time (a very long time) when I was terribly possessive about the camera, and would be extra-alert when it was handled by someone else. I'd also carry the bag with me everywhere, so as to ensure that it was never stolen. Even the thought of it being stolen was uber-painful then. Now, there is no anxiety on that count. I frequently offer it to others to click with (including my four-year old niece and photographer-in-training, though the strap goes around her twice to adjust to her size :). I also embrace the possibility of it getting stolen one of these days, as I click in crowded rural/urban streets indiscriminately. It seems not to bother me at all (and this when I earn a fifth of what I did then!).
A comparison of these two attitudes led me to wonder if one was decidedly better than the other. The latter brings more peace, but does it also make me less attentive, more lax? And even if I was possessive before, I was devoted to the care of the camera, I tended to it as a mother to a child (well, almost). For any two choices, if one involves peace, that's where my pull is, yet it is instructive to realize that it is not all black and white, ever. No shortage of the grey. In fact, ye to "thoos thoos ke bhara hai" (as Qawwal Farid Ayaz would say).
Posted by 8&20 at 9:29 PM 0 comments
Labels: photo, reflection
Laagi, laagi...
S shared this with me last evening:
Laagi laagi sab koi kahe, laagi buri balaaI offer a rough and literal translation:
Laagi hoye jab janiyo, aar paar hoi jaaye
"I'm struck", "I'm struck", everyone says - they have caught this bad habit
When you're struck, you'll know, for all will be a-scatter
Posted by 8&20 at 8:50 PM 1 comments
Labels: kabir
MG Road on a Saturday
Rewind. After an inexplicably tearful afternoon, I headed out to town with only an objective of indulging in city sights, and in solitude. Although I'd carried my camera out of habit, I had no desire then to click. Another one of those things I mechanically forced myself to do (carry, that is). There is something to be said for energy-inducing inspiration though... as we crossed M.G. Road and I saw the construction workers at the Metro site, I felt a sudden surge to take a picture of them. And so the photography began, as though for a first time. [Photos to be posted on Smugmug in no time.]
Blossom was the only plan I'd had, but it must now wait until next time. As I waited at Barista for N, I saw a gentleman give me a kindly look and smile. I wondered if I knew him from elsewhere, but couldn't quite place him. As I returned a half-confused smile and walked on further, I saw the reason for his smile - his digital SLR. Interesting, is it not - this understanding so tacitly shared between photographers? Or the lovers of any art, for that matter. We are polyglots without even knowing it.
Kabir on a Saturday
The last few days have been strangely contemplative. Perhaps the effects of the eclipse :). I found myself disinclined to sing at S's place this morning - a first. This would not do, I thought. And to overcome the inertia, I finally made myself pick up a DVD and push it into the disk drive. (This took some labor.) Found myself on Had-Anhad, and re-experienced an introduction to Malwa, to Prahaladji, to Pugal, Mukhtiyar, to dohas that are now an element of daily life. I feel shaken. Not sad, not moved even, nor nostalgic, but shaken. To no small degree, I found tears streaming down my face, and I could not explain. Something is transformed within, yet I cannot put my finger on it. Instead of rambling on in riddles that I'm myself unable to solve, I leave you with (surprisingly) the first doha that has made it to this blog. Fittingly, too. Straight out of Had-Anhad, straight out of Mukhtiyar's crystal clear voice, and straight out of the essence of Kabir:
pothi padh-padh jag muha to pundit bhaya na koye
dhai akshar prem ke padhe so pundit hoye
Reading book after book, no one became a pundit,
But he who reads the 2.5 (or 4) letters of 'love' - he is fit to be a pundit.
Posted by 8&20 at 3:00 AM 0 comments
Labels: kabir, meditation, music, remembrance
7/24/09
A Suspension of Belief?
Posted by 8&20 at 9:24 PM 0 comments
Labels: insights, life, reflection
Reaching Out
To offer a world hug...
and to get one :).
Posted by 8&20 at 12:16 PM 5 comments
Labels: love
7/23/09
The 'Religion of Man'
Marching with the waves of Life Eternal
we must go forward with Truth as our Polar Star
and no thought of death.
Inclement evil days will pour upon our heads,
but we must struggle on
to keep our Tryst with Him
at whose feet we poured the riches of our heart
from age to age.
The day which had its special significance for me came with all its drifting trivialities of the commonplace life. The ordinary work of my morning had come to its close, and before going to take my bath I stood for a moment at my window, overlooking a marketplace on the bank of a dry river bed, welcoming the first flood of rain along its channel. Suddenly I became conscious of a stirring of soul within me. My world of experience seemed to become lighted, and facts that were detached and dim found a great unity of meaning. The feeling which I had was like that which a man, groping through the fog without knowing his destination, might feel when he suddenly discovers that he stands before his house ...
In a similar manner, on that morning in the village, the facts of my life suddenly appeared to me in a luminous unity of truth. All things that had seemed like vagrant waves were revealed to my mind in relation to a boundless sea. I felt sure that some Being was comprehending me and my world was seeking his best expression in all my experiences, uniting them into an ever-widening individuality which is a spiritual work of art. To this Being I was responsible; for the creation in me is his as well as mine ...
I felt that I had found my religion at least, the Religion of Man, in which the infinite became defined in humanity and came close to me so as to need my love and cooperation.
Posted by 8&20 at 7:08 PM 0 comments
The gift: to give
Emily always looked back to that night spent under the stars as a sort of milestone. Everything in it and of it ministered to her. It filled her with its beauty, which she must later give to the world. She wished that she could coin some magic word that might express it.
The round moon rose. Did an old witch in a high-crowned hat ride past it on a broomstick? No, it was only a bat and the little tip of a hemlock-tree by the fence. She made a poem on it at once, the lines singing themselves through her consciousness without effort. With one side of her nature she liked writing prose best--with the other she liked writing poetry. This side was uppermost to-night and her very thoughts ran into rhyme. A great, pulsating star hung low in the sky over Indian Head. Emily gazed on it and recalled Teddy's old fancy of his previous existence in a star. The idea seized on her imagination and she spun a dream-life, lived in some happy planet circling round that mighty, far-off sun. Then came the northern lights--drifts of pale fire over the sky--spears of light, as of empyrean armies--pale, elusive hosts retreating and advancing. Emily lay and watched them in rapture. Her soul was washed pure in that great bath of splendour. She was a high priestess of loveliness assisting at the divine rites of her worship--and she knew her goddess smiled.
She was glad Ilse was asleep. Any human companionship, even the dearest and most perfect, would have been alien to her then. She was sufficient unto herself, needing not love nor comradeship nor any human emotion to round out her felicity. Such moments come rarely in any life, but when they do come they are inexpressibly wonderful--as if the finite were for a second infinity--as if humanity were for a space uplifted into divinity--as if all ugliness had vanished, leaving only flawless beauty. Oh--beauty-- Emily shivered with the pure ecstasy of it. She loved it--it filled her being to-night as never before. She was afraid to move or breathe lest she break the current of beauty that was flowing through her. Life seemed like a wonderful instrument on which to play supernal harmonies.
"Oh, God, make me worthy of it--oh, make me worthy of it," she prayed. Could she ever be worthy of such a message--could she dare try to carry some of the loveliness of that "dialogue divine" back to the everyday world of sordid market-place and clamorous street? She MUST give it--she could not keep it to herself. Would the world listen--understand--feel? Only if she were faithful to the trust and gave out that which was committed to her, careless of blame or praise. High priestess of beauty--yes, she would serve at no other shrine!
She fell asleep in this rapt mood--dreamed that she was Sappho springing from the Leucadian rock--woke to find herself at the bottom of the haystack with Ilse's startled face peering down at her. Fortunately so much of the stack had slipped down with her that she was able to say cautiously,
"I think I'm all in one piece still."
Posted by 8&20 at 11:31 AM 0 comments
A smile with every step
Am reminded of a line I read in Eat, Pray, Love many months ago. I attest now to its truth value.
"Why they always look so serious in Yoga? You make serious face like this, you scare away good energy. To meditate, only you must smile. Smile with face, smile with mind, and good energy will come to you and clean away dirty energy. Even smile in your liver."
Posted by 8&20 at 6:13 AM 2 comments
7/22/09
You get it when you need it.
Posted by 8&20 at 10:57 PM 0 comments
On creating ideals
It is an insult to his humanity if man fails to invoke in his mind a definite image of his own ideal self, of his ideal environment which it is his mission externally to reproduce. It is the highest privilege of man to be able to live in his own creation. His country is not his by the mere accident of birth, he must richly and intimately transform it into his own, make it a personal reality. And what is more, man is not truly himself if his personality has not been fashioned by him according to some mental picture of perfection which he has within. His piled up wealth, his puffed up power can never save him from innate insignificance if he has not been able to blend all his elements into a dynamic unity of presentation. It is for him inwardly to see himself as an idea and outwardly to show himself as a person according to that idea. The individual who is able to do this strongly and clearly is considered to be a character. He is an artist, whose medium of expression is his own psychology. Like all other artists, he often has to struggle hard with his materials to overcome obstructions, inner and outer, in order to make definite his manifestation.I do love how Tagore makes artists of all of us in this excerpt.
Posted by 8&20 at 8:34 AM 0 comments
Oh, when the ants come marching in!
This morning, I was supposed to be at (other) S's at 8.15, and I was ready to leave at 7.45 (had decided to walk to her place, which takes that long). When I came to pick up my backpack, I suddenly felt a prick on my foot. As my hand instinctively reached the spot, I realized I'd been stung by an ant - a red ant. I didn't think anything of it at first, but when I tried to lift the backpack off the ground, I realized it was absolutely teeming with ants! On further inspection, I noted a gigantic trail of ants leading to the main door. Indeed, the pack of cookies was the culprit. And the ants had penetrated down to the depths of my backpack - big, stinging, red ants were marching all over :). It was so astonishing, it was hilarious!
Finally, I decided I wanted help, so I called one of the guest house caretakers on the phone. He came with a broom, got the ants out for the most part, brushed them off the innards of my bag, ate the cookies :) (I asked him aap ye kyon kha rahe hain? - "why are you eating these?" - and he merrily replied Bhagwan ko uthana hoga to utha lega - "if the Lord wants me to die, I will die", adding a daane daane pe likha hai khaanewale ka naam... ispar zaroor mera naam likha tha - "On every grain is written the name of the person who will eat it, my name was definitely on these cookies" :)), and told me not to keep chocolate around any more. There was an open pack of Good-Day biscuits lying on the table, which I eat from daily with my tea, and I said to him isko bhi le jaiye nahi to ispar bhi cheentiyan aa jayengi - "take this too, else this too will get attacked by ants" but he replied with a nahi, woh sirf chocolate pasand karti hain - "no, they only like chocolates" :). I submitted to his (seeming) better judgment.
By this time I was quite delayed, since I couldn't have left without my backpack. Once it was cleaned out, it was already 8.20. In a flash I remembered that this caretaker had a motorbike, and asked if he could take me to S's (new found bike-confidence after Bikaner). He conceded, and took me. The Bangalore breeze for those few minutes on the motorbike was to die for. It was as if the wind was carrying me forth...
Of course, today was the day that the security at S's had to give me a rather long and hard time (they wrote down my life history, well, almost - phone number, address, purpose of visit, host's name, apartment number, building number, yada yada) (surprisingly they asked (still other) S none of this!). (I just realized that most of my coworkers have names that start with an S - strange!) Finally got to her place only at 8.40, but we sat and sang for a good pleasurable hour.
Anyway, so coming back to the point then. I walk back into my room this evening, and see my old friends - the ants again :). Amused, I look for the cause of the flurry, and find that the pack of Good-Day biscuits had been blown onto the floor by the wind (thanks to the window that had been left open), and the ants had attacked it. So much for them liking only chocolate :).
Posted by 8&20 at 7:34 AM 1 comments
7/21/09
Aiming to Perfect
As I try to apply this analogy to my life, I realize that I am constantly being touched by life's beauty in these times. As I travel more and more, I find myself repeatedly enraptured by the beauty of the place, the people, the history, the culture... the list has no end. My camera and I are thus made inseparable, for I am continuously inspired. And inspiration is so valuable - so much comes out of it. I am happier, more at peace, and no doubt I transmit some of that peace, if unknowingly, to the outer world as well. But inspiration is energy, and it could be preserved in fullness, packaged, and passed on in convincing chunks, or it could be allowed to dissipate such that it is too diffuse to carry the impact much further.
Perhaps all of this sounds a little 'out there', but it filled me with a feeling of responsibility, an onus to give back (this inspiration) as fully as possible, as close to the form in which I have been recipient of it. This means one thing alone - that I have to give myself to my expressions in entirety. When I write, I must write with the dedication of an activist who puts mind, body and spirit into her cause. When I photograph, I must photograph in full presence, in ways that I may best inspire the person who views this photograph. It isn't easy, but isn't it the only way? The only worthwhile objective to pursue? Do we even have a choice? It is an onus indeed, and not one we can do justice to in the matter of days and weeks, but as a life goal perhaps?
And this is not to say that we attach ourselves to the receipt of our art, in whatever form. It is futile to imagine that we could dictate ways in which our expressions may be received or appreciated, but in that the intent is purity itself, the goal - I believe - is met.
Posted by 8&20 at 6:43 AM 0 comments
Labels: inspiration, perfection
7/20/09
Jaisalmer
I just got back from Bikaner. It was a lovely trip, but it left me longing for more of Rajasthan. As I wrote to a friend about it last evening, I revisited my desire to visit Jaisalmer:
"... I do have to find myself there sometime soon. I can't believe that with all the time I've spent in Rajasthan, I keep missing out on Jaisalmer. I'm sure it will turn out to be quite amazing when I do see it ..."And then early this morning, completely out of the blue, I received the following email from S:
"I'm just about to book for a trip to Mahesha Ram in Jaisalmer... Aug 18 till 23rd or so. Going to-from Delhi. Need to know if you'd like to join us."An uncanny coincidence, is it not? Anyway, so you know where I'll be from August 18th to 23rd.
Posted by 8&20 at 11:20 AM 1 comments
Labels: divine interventions, travel
7/19/09
The old Tagore magic
But does one write poetry to explain something? Something felt within the heart tries to find outside shape as a poem. So when, after listening to a poem, anyone says he has not understood, I am nonplussed. If someone smells a flower and says he does not understand, the reply to him is: there is nothing to understand, it is only a scent. If he persists, saying: 'that I know, but what does it all mean?' Then one either has to change the subject, or make it more abstruse by telling him that the scent is the shape which the universal joy takes in the flower ...
That words have meanings is just the difficulty. That is why the poet has to turn and twist them in metre and verse, so that the meaning may be held somewhat in check, and the feeling allowed a chance to express itself.
This utterance of feeling is not the statement of a fundamental truth, or a scientific fact, or a useful moral precept. Like a tear or a smile a poem is but a picture of what is taking place within. If Science or Philosophy may gain anything from it they are welcome, but that is not the reason of its being.
Posted by 8&20 at 11:34 PM 0 comments
7/15/09
More on Malwa
Posted by 8&20 at 8:13 PM 0 comments
Labels: malwa, reflection, summer, travel
Travel Update
After a complex, organized, and last-minute packing process, I boarded the Awadh-Assam Express from the Old Delhi Railway Station at 4.30 last evening. The station is not a pleasant place to be during the daytime, and one must be careful about where one's vision leads. Mom and I got there rather early, and had a long discussion (that led nowhere, as it is wont to) about why people are so accepting of filth, why they must treat all of land as a trash can, etc. before I boarded.
Although traveling in AC isn't as fun, because it creates an artificial barrier between you and the India outside, it was lovely to behold the rural sights of Haryana and Punjab en route, nonetheless. I found it fascinating that the train was coming all the way from Guwahati, and that it went via Bhatinda (that was featured in Jab We Met not too long ago).
My berth neighbors (for lack of a better term) were rather friendly. I found that they were traveling 40 hours from Siliguri to Bhatinda, on their way to Pathankot, where they'd just been transferred (within the army). I also managed to learn a little about Siliguri, and about how the army works, in the process. They carried a six-year old in tow, who I enjoyed playing 'Statue' with :).
The train ride was fairly uneventful, but for my finally getting done with The Celestine Prophecy which was rather curiously and coincidentally woven around several of my thought processes of late. I don't recommend reading the plot, but the nine insights the book revolves around, were certainly worth the read.
The train got to Lalgarh (near Bikaner) at 5.30am, and the little I've seen of the city since has been quaint indeed. Perhaps I have a natural soft spot for the cities of Rajasthan, so perhaps you should wait for second and third impressions then.
It for now. Be back soon.
Posted by 8&20 at 7:09 PM 0 comments
7/14/09
All charged up!
Anyway, in my effort to assimilate all the lessons that life is bombarding me with these days, I decided to make a list of my treasury of gadgets, and ensure that they have charge and memory before I pack them in. Check it out:
- Voice Recorder + Duracell Batteries + SD Card
- Flip Video Recorder + Duracell Batteries + Space
- DSLR + Charged Canon Batteries + Canon Charger + Flash Card + Card Reader
- Point-and-Shoot + Charged Canon Battery + (Said) Canon Charger + SD Card
- Tata Indicom USB Modem (no battery, no space, phew!)
- iPod Shuffle + Headphones + Charge + Songs
- Cellphone + Charge + Charger
- Laptop + Charge + Charger
- External Hard Disk
Posted by 8&20 at 8:45 PM 0 comments
Barkha bahaar aayi...
Although I managed to steal a few days in Delhi between travels, I also fell sick as soon as I reached home. Good health is tautologically a good thing, but if one has to fall sick, there is no better place to do it than home. After the varied bouts of illness in recent weeks, my mind is convinced that my body will embrace all experiences brought forth by the next couple of months, no problem. Of course, if I end up having to eat my words, then eat I willingly shall :).
I now have a treasure trove of experiences to associate with this year's monsoons - first, the phenomenal moments spent on A's window sill, then the more intimate encounters in Malwa, and finally, the much-needed relief in Delhi. No doubt I speak prematurely, for the next few weeks will find me amidst the Bikaner and Bangalore avatars as well. The world has acquired a greener, cleaner, happier hue. But like everything, this too, I know, shall pass...
[I had wanted to write about the clouds in Luniyakhedi and how they attacked us with great gusto, how we found ourselves completely soaked to the skin. Also, I would've loved to share the many songs we sang to pay homage to the rains - o sajana, rimjhim gire saawan, bheegi bheegi raaton mein, ghanan ghanan, zara zara, the list is endless. Another time, perhaps. The muse is still recovering from being so generously overfed last week.]
Posted by 8&20 at 5:00 AM 0 comments
7/13/09
Spellbound
Many, many seeds were planted last week, and watered duly by the monsoons, both literally and figuratively. From the moment I landed in Indore and until my departure from Bhopal, life bombarded me with lessons left, right and center. I could try doing a chronology of events, but there was nothing at all linear about last week. It is the rays of the sun I need to document. Perhaps a chapter for each one? In my second shot, perhaps. We'll start with the basics, here:
I was enthralled by the elements of this universe - the sun, the moon, the stars, the wind, and the rain. Also the earth - agricultural or not, wet or dry. And the trees, the leaves, the many animals we found ourselves in the company of.
The people. I've never found myself in the company of so many people, all so genuine, loving, thoughtful and wise. I can say that over and over again. I felt I understood. I felt understood.
The music was as moving as I'd imagined it to be, and as inspirational. No surprises there, just truckloads of fulfillment.
The 'physical rigor', as S put it - living life on very basic terms. It is an interesting inversely proportionate relationship. The more basic it gets, the more happiness it affords. And it got pretty basic.
As I've said to many, this journey felt like a dive into the depths of my soul. I may have been in alien surroundings, and yet I felt that there was a homecoming within. It is indeed in the villages that the heart of India lies... that's where I was, yes.
The things that had seemed little before suddenly grew a lot bigger. The reverse also happened. Time came to a standstill, and life slowed itself down almost to a halt. Thoughts ceased for a bit, and I was left without a frame of context. And peace found its place, in every step.
And as I close my eyes now, I see the smarak in the heavy monsoon downpour - as I soak in the rain, and the icy winds that bring news of the downpour, the morning walks with the rising sun, and across the wondrous landscape, the faces of those who know only to love and to serve, the limitless joy drawn from water alone, the moon and the stars we slept under every day, the strangers who became friends in no time at all, and the wisdom they shared so generously, the music that transcended all boundaries between hearts - then to my great surprise, the endless offerings of chai, the raindrops as they fell on the car windows, uncountable inspiring and instructive conversations, singing with gay abandon in the train to Bhopal, the 'cold drinks' that quenched many a thirst... and the smile that I carried all through the week, in my heart.
Posted by 8&20 at 10:16 AM 3 comments
The Life of Art
He thought that fear of death was perhaps the root of all art, perhaps also of all things of the mind. We fear death, we shudder at life’s instability, we grieve to see the flowers wilt again and again, and the leaves fall, and in our hearts we know that we, too, are transitory and will soon disappear. When artists create pictures and thinkers search for laws and formulate thoughts, it is in order to salvage something from the great dance of death, to make something that lasts longer than we do. Perhaps the woman after whom the master shaped his beautiful madonna is already wilted or dead, and soon he, too, will be dead; others will live in his house and eat at his table - but his work will still be standing a hundred years from now, and longer. It will go on shimmering in the quiet cloister church, unchangingly beautiful, forever smiling with the same sad, flowering mouth.I leave you then with the lovely paintings as well. And may they live forever.
Posted by 8&20 at 9:41 AM 6 comments
7/12/09
If you like Indian ads...
Posted by 8&20 at 10:10 PM 0 comments
Labels: recommendation
Go not to the temple...
The following was published in the Sacred Space of today's TOI:
Go not to the temple to put flowers upon the feet of God,
First fill your own house with the Fragrance of love.
Go not to the temple to light candles before the altar of God,
First remove the darkness of sin from your heart.
Go not to the temple to bow down your head in prayer,
First learn to bow in humility before your fellowmen.
Go not to the temple to pray on bended knees,
First bend down to lift someone who is down-trodden.
Go not to the temple to ask for forgiveness for your sins,
First forgive from your heart those who have sinned against you.
- Rabindranath Tagore
Posted by 8&20 at 9:38 PM 1 comments
In the words of...
Hindustani musicians undergo rigorous training and possess incredible skill and control. However, the central object of their labours is not the cultivation of a 'beautiful' tone but the development of an almost limitless capacity in articulation. The physical sound of the music is, in ideal circumstances, only a medium and not the end product. To the connoisseur, a voice is only as beautiful as what it conveys.I read these lines minutes after I met Ustad Fahimuddin Dagar, and the words resonated in entirety. If you ever get a chance to read Sheila Dhar's writings on music, do. You won't regret it.
The physical body of the music is to the musician what a writing tool is to the poet. The listener is trained to tune in to the lightly charged state of consciousness of the performer rather than to the physical condition of the sound that carries the music. Consequently, Indian ears are somewhat indifferent to the outer perfection of musical sound. Some of the most revered musicians have been and are people in their seventies. Their glory is in the truth of their experience and though their voices might have lost superficial lustre, the purity of their intention still shines through and is always the focus of attention for the initiated listener.
Posted by 8&20 at 1:47 PM 2 comments
Labels: excerpts, music, perfection
Struck by Virtuosity
Meeting Dagar ji was like a breath of fresh air. He is 80+ and a child at heart if I've seen one. Words can hardly do justice to the aura I felt in his presence today, the aura that spread the perfume of purity all around. A man of small built, hair all grey, he is soft-spoken and gentle. And with one look at him, the word 'guru' attains definition. The notes that flow out of his lips are perfect indeed, but even the words have a glow to them one must experience to understand. Need I add I was swept away?!
When I walked in, he was teaching two young shishyas, and I sat behind them. I took the empty spot next to I, and immediately found my home in the meditative atmosphere that had been set. The teaching and the learning continued, and as in meditation, my only effort was to remove every other thought from mind and become one with the sound. Every now and then, Dagar ji would correct their posture, explain how the position of the spine was important for it was like an antenna that had to be in place. Or he would break into bouts of philosophizing, as any dedicated guru is wont to, while I breathed in every word. Har lavz sar aankhon par...
A half hour later, he realized he hadn't acknowledged my presence yet. I explained to him who I was and why I was there. After a few tries with my name (he thought I was Nirma!), he finally registered it, and swiftly reverted to his teaching. Students trickled in, as time went by, but the class continued - with him exercising an acute ear and tremendous patience.
For me, this meeting amounted to more than just two hours of my life. It was a listening and a realizing. Perhaps the realization that hit me the hardest was that I had thus far been interested in music, certainly, but with the sole interest of singing rather than learning. As a brand new yearning found its way in today - to learn rather than to sing, to start with the sa and meditate upon it for years if necessary, a strayness found its way home.
The pearls of wisdom that Dagar ji shared were precious. He equated music with pavitrata, or purity, stressing the need for exercising caution - so as to find the right swara and laya. He also spoke of shraddha and prem, and their power to transform into beauty. While mentioning prem, he went on to talk of that emotion that we feel for our parents when we are born, so that we may feel it also for the people around us, and in turn feel it for God. And God himself had no religion with him, as he directed his students - in one breath - to sing Om and meditate upon Allah. A young student repeated Ni-Sa 108 times, as Dagar ji counted on his japa mala.
The singing became so intoxicating, no doubt he too wished for it to be endless, as he continued to 'tune' his speech to 'sa', while he told one of his students to give up on adding sugar-free to his tea because he didn't know how to. It is these little things that made him so endearing, that made him so perfect. Before me, there was not a highly acclaimed maestro, a carrier of the famed name of Dagar, an artist of stature. Before me, there was music, and no one else. The ego seemed to have vacated its place eons ago. Music had left little place for any other existence.
As I yearned to stay there, a strange thing happened. I realized that the encounter was beautiful because that yearning was so deep. And there it ended. There was no desire to linger on to keep that yearning fulfilled for the little time possible. It was a gift, it had been taken and imbibed. Time it was to let it out again. Here it is, then.
[NB: This meeting took place on the 18th of June, 2009.]
Posted by 8&20 at 1:33 PM 0 comments
Labels: lessons, music, perfection
7/4/09
Monsoon Heaven
There was something precious in this afternoon that words will not capture. C'est la vie.
Posted by 8&20 at 10:44 AM 3 comments
The Cocktail Party
Unidentified Guest:As I browsed through the book store at Bangalore airport, Eliot's The Cocktail Party caught my eye. I'd never seen this before, and a love for Eliot's writing brought me to purchase it. A masterfully crafted play, that provides a little of everything - poetry, drama, and a tad of philosophy, as you can perhaps tell in the excerpt above. I definitely recommend the read.
Ah, but we die to each other daily.
What we know of other people
Is only our memory of the moments
During which we knew them. And they have changed since then.
To pretend that they and we are the same
Is a useful and convenient social convention
Which must sometimes be broken. We must also remember
That at every meeting we are meeting a stranger.
Edward:
So you want me to greet my wife as a stranger?
That will not be easy.
Unidentified Guest:
It is very difficult.
But it is perhaps still more difficult
To keep up the pretence that you are not strangers.
The affectionate ghosts: the grandmother,
The lively bachelor uncle at the Christmas party,
Your childhood years in comfort, mirth, security -
If they returned, would it not be embarrassing?
What would you say to them, or they to you
After the first ten minutes? You would find it difficult
To treat them as strangers, but still more difficult
To pretend that you were not strange to each other.
Posted by 8&20 at 6:24 AM 2 comments
7/3/09
Bombay Dreams
At the (newly built and rather impressive) airport, I was received by the very same person all these years of traveling to Mumbai. While little else has been constant, he has been. As we spoke in the car, I was moved by his expression of his work, and how dedicated he was to it. He said something that will stay with me (not only for the words, also the sentiments that lay beneath them) - "I only try my best to help... so that I can get blessings from everyone."
As I traveled to A's place, I was struck by a desire to capture everything along the way - the sights, but also the sounds, and the smells - those pleasant and not so pleasant - to capture and lock them into a treasure trove. And G's words came back to me then, from when I'd said that there was so much I'd read last month that I'd have liked to share on my blog, but found entirely infeasible to do. He'd given me a fitting analogy - of how there is so much I see that I'm unable to photograph. I'd like to think that none of it is lost, but finds its way out in indirect ways. I share by being a changed me as a result.
I wondered why I kept my window down, as we passed through some of the overwhelming stenches of town, and realized that the window-down reality for me was the unqualified reality for many. In trying to scale the distance between that and this, maybe the effort itself counted some?
The monsoons have indeed hit Mumbai, and rain-talk fills the radio stations. On my part, I soak in the 14th floor view from A's place, of Andheri in its fullness, despite the immense clouds that hang above. The star attraction has been, of course, A's little baby Krishna, who fulfills his 24x7 job of charming everyone around him with great devotion :). If the rains will allow, I'd love to step out and experience Mumbai in its monsoon glory. If not, I'll experience it in the clouded view of the city from up here. There is certainly nothing lacking in the precious spending of time at home with an old, cherished friend, listening to the radio play my favorite songs, and watching the city wash itself out. Over and out.
Posted by 8&20 at 1:59 PM 0 comments
7/1/09
travelogging
6/30/09
The sounds of silence
There is never complete silence, is there? Even when I believe I'm successfully silent, as right now, I hear my fingers moving across the keyboard, I hear the rustle of the leaves outside my window, and the tender morning chirps of a host of birds. A TV is on somewhere in the distance, and a man calls out - in a loud voice - to a squad he is training. When I concentrate harder still, I hear a tension in the clouds that will perhaps end in rain, perhaps not. And then there is the unmistakable music of the horn of the auto rickshaw (or is it a tempo?). And now a dog barks in the distance; now there are several. An airplane... These are the many sounds of silence in this moment. When these are gone, there will be others. So when is the sound of one hand to be heard? That, I suppose, is the question.
Well, the month is over, and I am back on the blog. I must confess I feel none of the comfort and free flow in writing this post as was customary a month ago :). In time, I hope, the ease will return. Happy July, everyone!
Posted by 8&20 at 8:06 PM 1 comments
6/26/09
Remembering the Time
Answer: Everything but silence.
It is true that I haven't heard a song of Michael Jackson's in a few years, and lyrics that were earlier rattled off in a breath are now a struggle to retrieve. Regardless, childhood memories flood my mind as it immerses in fond remembrance.
Back in the day, when TV channels were limited, music was hard to come by on Doordarshan. Still, DD would screen the Grammy Awards, and my sister would record and watch these keenly. Hence, year after year, I would run these tapes on repeat until I knew the songs (and often, their videos) by heart. The first few memories of Michael, thus, come from the Grammy Awards of '88, when Bad was released. I was an ardent admirer in no time - I loved the video, I loved his dance, I loved his singing, and I loved that he was such a sensation. I soon knew the lyrics by heart, though I didn't understand a word... Man in the Mirror was also part of this album, and the image of it still rings clear in memory. I was of the age where I needed a favorite singer - one I could sing incessantly with abandon, and Michael smoothly took that spot. The joy of discovering Thriller, an even greater sensation, definitely helped.
In sixth grade, I remember the usual Friday afternoon "Activity" period we'd have where each Friday would include a different competition between our three sections - sometimes poetry recitation, sometimes singing, sometimes dance, a play etc. I also remember the week we were preparing for the singing competition, when S had asked me (in full faith) to sing the lead for I Just Can't Stop Loving You (and I had thought she was crazy - me? sing? lead?). In those days, Archie's Gallery had begun to carry books of lyrics for a few popular singers (I had Wham!'s, I remember) and she taught me to sing the song from her book of Michael Jackson's lyrics from Bad and Thriller. (I also remember being rather scandalized to discover the first line of Bad, then!)
Dangerous was released that year, and it was gifted to me by a cousin soon after. I suppose my love for Michael had spread its wings wide by then. I loved the album, and listened to it religiously, singing along with every song, writing down the lyrics in my song diary, just truly relishing the experience. This was in the winter break of '91-'92.
And a year later, cable TV made its appearance. We finally got it at home, and I was hooked to MTV - in its clean, pre-controversy days. Remember the Time was one of the first videos I discovered on the channel, and thank goodness it showed umpteen times in a day. I loved it - the song, the video, the drama (on-screen and off). The video of Black and White - with the kid in the beginning and the (phenomenally) transforming faces at the end, also reminds me of the carefree days of growing up. Isn't it wonderful how such associations are born? Music is especially adept at it, somehow, isn't it?
Heal the World was always a special favorite, close to heart. I remember we sang it for our assembly in 8th grade, as G played the piano for it (we were so elated to have accompaniment - otherwise unheard of in morning assemblies). This was duly memorized as well, with a million repeats. And then there was Will You Be There? which took my breath away... indeed, the list is endless, and I shall quit trying to bind his music into a finite set of paragraphs.
Michael Jackson was a legend, and brought much into my world that I shall carry with me forever. After all, I have but one childhood to reminisce over. And then again, like mine, no doubt he touched many, many more lives. For all that he added to the world of music (and dance), and for the joy he added to the lives I have known, and those I haven't, I will be ever grateful. That his music lives on brings me great joy, with the reminder that death does not destroy everything, that art lives on... it has its ways.
Thank you, Michael! May your soul rest in peace. And as long as I live, you will too - this, I promise.
Posted by 8&20 at 10:49 AM 1 comments
6/5/09
Of a life well lived
I try to fathom the shock and sadness that his young family must feel today, and I cannot. I extend my condolences to them with deep sincerity, praying that gratitude for him will overshadow sadness for his loss, knowing also that there is no greater test. But test or not, it is deeply humbling to be reminded that we as a community, as a people, have no power to hold on, try as we may. Not even to those precious few who work incessantly towards pushing the frontiers of knowledge for mankind as a whole. And while Rajeev may no longer be with us, his contributions are immense and timeless, and he will be held in deep regard for years to come.
When a great soul passes, sadness overwhelms us. And yet, somewhere we realize that life has its lessons to teach us that it will. Our part is in mere acceptance and meditation upon how best we may learn from these lessons. I pray today that as we honor a life that touched so many others, brought light to so many paths, we are justly able to receive from it the inspiration to give - to people, to society as best we can, sans pride of self, of knowledge, fame, or money.
My own remembrances of Rajeev are vivid and fond. I still recall my first meeting with him on the 22nd of January, 2003. He had teased me for not carrying a paper and pen to the meeting, saying it was the first requirement of a researcher (it was my first day in the official capacity of a 'researcher'). I have since done so every time. As it is wont to, the mind relives each of these encounters in an effort to dedicate all the purity it can muster to a life it knew little, but with admiration and with reverence.
As a researcher and technologist, he was brilliant - words could do little justice to his wide circle of influence. As a teacher, he was awe-inspiring - carrying with him an equanimity and cheerfulness that remained undisturbed through every lecture. As a student advisor, he was kind and supportive - never condescending (though he may have had every reason to be so). As a supervisor (when I TAed for him twice), he was trusting and understanding. Most of all, however, his immense stature never came in the way of his friendly, smiling disposition - the same smile that comes to mind with the memory of every encounter with Rajeev. As his contributions are timeless, may his smile be so, ever reminding us of a life well lived.
How well he fell asleep!
Like some proud river, widening toward the sea;
Calmly and grandly, silently and deep,
Life joined eternity.
- Samuel T. Coleridge
Posted by 8&20 at 8:49 PM 2 comments
Labels: remembrance
5/31/09
Shhhh!
"Silence, the unique language, ever surging in theAfter eight months of incessant writing, I'm ready now to take a break to immerse in the sounds of silence and obtain if a glimpse of this state of grace. Enough has been read and said; time it is to listen, meditate upon, and internalize. I hear it takes 21 days for the brain to form new neuronic pathways. Just to be safe, I'll give it a month :).
Heart, is the state of grace."
I wish you all a joyous month of silence.
Posted by 8&20 at 2:04 AM 3 comments
5/30/09
June
Our practice is to help people, and to help people we find out how to practice our way on each moment.I pray that this month is fruitful to this end, for me and for you (should you wish it so :)).
Posted by 8&20 at 11:26 PM 1 comments
May
Trust is believing
in the powers that be,
in the people around us,
in me.
Trust is discovering
that love is without end;
it grows old with the heart
of a friend.
Trust is waiting
sans the pain of the wait.
Life comes always on time -
never late.
Trust is knowing
that all is ever well -
no matter this heaven,
this hell.
Trust is forgiving
and loving all things,
embracing this life,
what it brings.
Trust is hoping
in the dark, in despair
the light will shine through,
'cos He's there.
Trust is being
one one can rely on,
a pillar of strength and a shoulder
to cry on.
Home, Sweet Home
Mid pleasures and palaces though we may roam,
Be it ever so humble, there's no place like home;
A charm from the sky seems to hallow us there,
Which, seek through the world, is ne'er met with elsewhere.
Home, home, sweet, sweet home!
There's no place like home, oh, there's no place like home!
An exile from home, splendor dazzles in vain;
Oh, give me my lowly thatched cottage again!
The birds singing gayly, that come at my call --
Give me them -- and the peace of mind, dearer than all!
Home, home, sweet, sweet home!
There's no place like home, oh, there's no place like home!
I gaze on the moon as I tread the drear wild,
And feel that my mother now thinks of her child,
As she looks on that moon from our own cottage door
Thro' the woodbine, whose fragrance shall cheer me no more.
Home, home, sweet, sweet home!
There's no place like home, oh, there's no place like home!
How sweet 'tis to sit 'neath a fond father's smile,
And the caress of a mother to soothe and beguile!
Let others delight mid new pleasures to roam,
But give me, oh, give me, the pleasures of home.
Home, home, sweet, sweet home!
There's no place like home, oh, there's no place like home!
To thee I'll return, overburdened with care;
The heart's dearest solace will smile on me there;
No more from that cottage again will I roam;
Be it ever so humble, there's no place like home.
Home, home, sweet, sweet, home!
There's no place like home, oh, there's no place like home!
-- John Howard Payne
Posted by 8&20 at 12:01 AM 5 comments
5/29/09
Invisible Cities & Brida
After Invisible Cities, I read Coelho's Brida. While I was more dismissive of it to begin with, because both plot and philosophy seemed lacking, I've come to appreciate parts of it since. I've always liked Coelho's single-minded focus on following one's heart, and it resurfaces here. I also liked a paragraph towards the end where the Magus talks about loving things (and people) in the time and space where they belong, and not pulling them out of there and trying to possess them instead (I do paraphrase). I wouldn't call this one a must read, unfortunately. If you'd really like to read Coelho, read The Alchemist instead (or The Pilgrimage, fine), but don't read Brida. And if you'd really like to read Brida, make sure you're not trying to judge the book by its admittedly attractive cover.
On the side, I also went through a Selected Writings of Albert Einstein's at the IHC Library yesterday (it was a thin book). I've always found his words inspirational, and these were no different. A great exercise it is, indeed, to acquaint oneself more intimately with the lives of the great who have lived before us. For what may be a better example for us to follow?
More than just ordinary
And then last evening, A and I talked after ages, and the joys of tried and tested friendship announced their presence once again. After I ended the conversation with a deep and grateful sigh, I returned to Brida, the book I was reading yesterday, and before me I found that very line, from lifetimes ago. Imagine my surprise, and then to find that it was part of a living, breathing poem. A Yeats poem, no less.
These little coincidences rock my world. Random or divine, my heart rejoices at their generous presence in this one-in-six-billion life and I know only to be grateful. To the forces that be, to her, to the author of that news article (though he omitted to credit Yeats), to Yeats of course, and to the tender love he brings to life in this poem:
He Wishes for the Cloths of Heaven
Had I the heavens' embroidered cloths,
Enwrought with the golden and silver light,
The blue and the dim and the dark cloths
Of night and light and half-light,
I would spread the cloths under your feet
But I, being poor, have only my dreams;
I have spread my dreams beneath your feet;
Tread softly because you tread on my dreams...
Posted by 8&20 at 9:47 AM 2 comments
Labels: divine interventions, nostalgia, pome